The project with Trinity has been going well, I believe that the album will make some noise and create some excitement.  Trinity has a very strong and authentic voice that is perfect for reggae.  His voice is raspy and sounds like the voice of an old rastaman who lives in the hills of St. Anns, Jamaica (he is not a rasta and he is not from Jamaica).  With that said, there are a few hurdles that we have get over, but I believe both he and I will become better artists when the album is done.  We are both learning about mixing, recording, songwriting, proper lyrical delivery, and other things.  For him it’s really about giving the proper delivery of lyrics and fitting his songs into a commercialstructure and for me it’s about reminding him about those things and also trying to creating  backing tracks that compliment his voice, style and lyrics.  It has been a lot of fun so far, and I find that I am working on music a lot more and also branching out into writing complete songs, instead of just making a beat.  On thing that came as a surprise is that he liked some of my pop beats and is going to write some songs to the beats.  I think that it will definetly help him appeal to a wider audience.

As for the dubstep album, I don’t have any tracks yet but I know I want the theme of the album to be dark and somber.

The free beat album is coming along, I have one track so far and hope to add nine more.  I am not sure about how to promote it yet, but will let you guys know when the time comes.

Well I have to admit, I used to listen to loud music all the time (something I still do), I had a serious stereo system in my car and to add injury to insult, would routinely stand next to the speakers at a club cause I thought it was cool. How could that be cool? I am not sure but for some reason I wanted to be like the guys who stood next to the speakers. I once saw a guy sleeping in a speaker box! Anyway, so I surely lost some hearing, but now protect my precious hearing. I rarely turn the music up very loud, I try not to go to clubs and if I do I wear earplugs, and I always wear headphones when taking the subway, so that I can block out some of the noise.

Why am I doing this? Simple, to protect my hearing so at the age of 50 or 60 I will hopefully be able to hearing enough of the frequency range so that I can still make music. For me it has always been about the music, now I know that I need to protect me hearing so I do, and so should you.

Test a hearing here http://www.egopont.com/hearing_tests.php?soundID=20000 and remember, lost hearing is gone forever!

Check out this cool NY Times article about hearing and the average range for age groups http://www.nytimes.com/2006/06/12/technology/12ring.html

Tried out the synth sounds on the Novation X-Station 61 today for the first time. I owned this keyboard for about 9 months, but didn’t have the urge to try out the synth action. I was mostly using it as a midi controller for Reason 4.0. Why only as a midi controller you may ask?  Well, its a long story about going all digital and moving with the times and new technology.

Let me give you a little background.  During my DJ days I started off with records and a turntable, then sold my records and turntables and bought cds and a Numark dj cd player, then got rid of the cds and the cd players for a computer, mp3s, and a midi controller. I always believed that I should change with the times and leave old technology behind where it belongs, in the past.   Until one day while hanging out at a friend’s house I decided to mix a couple of tracks on this turntable set-up just for the fun of it.  Something happened, something unexpected, something not so unpredictable, I was having more fun mixing on a turntable than I had for the previous 5 years mixing on a computer. So I decided to a get a hybrid setup, turntables with time coded vinyl, so that I could still use my MP3s, but would now use turntables to mix. Lesson learned, sometimes old school can be fun.  While its not really old school because time coded vinyl is fairly new technology.  (Traktor Scratch baby!)  Now on to my synth issue.

Well being that I love music and all, I decided to throw my hat in the ring and try to create some music (about 9 months ago). I didn’t know where to start, I knew nothing about music creation and didn’t really play any instruments. Reason I say “didn’t really play any instruments” is because I took some piano lessons as a kid but didn’t retain anything because I couldn’t pay attention to the super boring teacher. Anyway, so I decided to buy some equipment, one of the biggest decision was whether I should go down the analog/hardware road or up softsynth creek. I decided that it would be software! I got a midi keyboard, a digital audio workstation and Reasons.  So I got to work on creating beats/riddims, and for the first few months everything was great except for two things. One, there was a little voice in my head telling me to buy a real synth and two, a brethren telling me that hardware is the way to go. I listened to neither and stuck with Reason because it was the cheapest and must efficient way to go.  Besides, I didn’t have a problem with how it sounded.  I’ll be damned if I was going to get caught up in this hardware crap. First it would be Hardware synthesizer, next it would be hardware effects, then hardware mixer, etc., who knows when the bleeding…I mean spending would stop. Well I was pretty content until this same brethren bought a synth, recorded it, put the recording on his i-pod, and let me hear the recording. I noticed something right away, the synth sounded deeper and warmer than anything that I heard in Reason. So I ran home to my Novation, loaded up the on-board synth and proceeded to experiment. Guess what happened…the same thing…deeper and warmer. So now I am starting to realize the advantages of having a hardware synth, but I haven’t caved into the warmness just yet.

I am going to fire up Native Instruments Komplete and a couple of soft synth that I haven’t tried yet and see if they give me the same warm feeling. Stay tuned.